A critical assessment of TS Eliot's poem, 'Rhapsody on a windy night'.

Rhapsody on a windy night was written directly after Preludes and echoes human beingsy of its themes. Rhapsody... charts the night-time journey of a man done the roadways of a city. Held in a trance by the moonlight, he is shown various sights by the street lamps he passes, and these sights evoke images, feelings and recollections. From the sights revealed by the lamps, and the responses they induce, a portrait of the city life is painted. The poem begins by establishing the scene. A man is wandering Along the reaches of the street / held in a lunar synthesis. Although the street is reaching, as if to piece the man, it is held in stasis by the moon. This idea of the moon having power to permit on the wandering man from his everyday pattern of thought, from the moral sense of the colour street, prevails throughout the poem. But it is not bonnie the daily considerations that the moon expels: memory too is dissolved, with all its give-up the ghost traffic / Its divisions and precisions. The metaphor of dissolve[ing]...floors suggests that memory was a platform, which is being wiped external - the man is left floating in space. The lines Every street lamp that I pass Beats alike a fatalistic drum have a number of possible implications.

concord possibility is that the passing lamps remind the man of the passing time, and that concisely he will be home, and forced out of the lunar synthesis. This interpretation is supported by the references to the time at the beginning of each stanza. The lines Half-past one...Half-past two...Half-past three, are like the drubbing of a drum, and a f atalistic one in that the undecomposed of ! time is inexorable. Alternatively, the lines could be emphasising the fear and fatalism inherent in the visions revealed by... If you anticipate to get a full essay, order it on our website: OrderCustomPaper.com

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